Curtains and copper

photo copyright Karin Corbin 2010

I spotted a fabric in my local quilting store I thought my do for the curtains in the box bed area. Of course I had to buy a 1/4 yard of it. For some reason the print and colors reminded me of the Provencal prints although it is not one.  I think the fabrics terracotta color is going to be just right in the room. It will play off the terracotta of the fireplace bricks and highlight the copper pots and pans.

There will only be a little bit of curtain showing once I get the front made for the box bed. I want to get the curtains and mattress made before I put on the front face. I have not finalized my design for that piece of woodwork. I am still trying to decide if I will carve in a bit of a wave motif, or repeat a  celtic knotwork motif to tie in with the baby bed or maybe a bit of both. I hope to make up my mind in the next few days. I am feeling the need to get the walls fixed into position and get to the roofing.

photo copyright Karin Corbin 2010

The slate shingles I made seem to have provided the stimulus to drive me to move on to the roofing stage of the project. I really want to glue them on but I can't just yet as the edges will be prone to damage and I don't want to risk that. I did get the roof boards glued onto the bed shed ready for the slates to be installed.

I don't have a big collection of miniature items but I try to have on hand enough things to create a bit of a display inside of houses for shows and photos. One thing I do love is copper pots and pans. I used to own them for my real house but I downsized and let go of most of my antiques and decorative items. However it takes little room to have them in miniature size so that is where I indulge my love of such things. It was fun to open the boxes I store them in and play dollhouse trying out this and that item in the room to see how it will all look one of these days.

Tomorrow is the Seattle Dollhouse show. I am going to take my camera along to share a bit of the fun with all of you.

Dust covers

When you build an open back dollhouse it is wise to think out a scheme for installing a see through piece of plastic or glass to act as a dust cover. If you can somehow integrate it into the structure so that it is not visually intrusive that is best.

I just finished making the most complex timber I had to cut. It is a beam that goes against the floor beams of the attic. On the bottom is a rabbet to receive the upper edge of the dust cover from the first floor opening. On the top there is a channel to accept the bottom of the upper story dust cover. The timbers at the sides of the opening also have a rabbet for the dust cover to recess into. This way the cover won't project from the back of the dollhouse and all the edges of the plastic or glass are protected. I will make a small turn button to fix it into place but still allow it to be easy to remove.

photo copyright Karin Corbin 2010

This one piece timber plays a trick, on the top side it integrates into the flooring of the attic with a smooth surface that will match the floor stain color. But on the other three sides it is one of the  structural timbers of the house. The timber is notched to allow the walls to slide into it. A lot of tricky cuts, the table saw did the rabbet and channel, the bandsaw made the receiving notches for the walls. I textured the surfaces that act as a framing piece.

Lots of timbering to do today on the inside walls of the dollhouse. The pieces around the opening are part of that job.

I will start gluing some of the walls in place today. The front wall will be the last to install as it is easy to see and reach from the back opening.

The other side

photo copyright Karin Corbin 2010

I thought you would enjoy a glimpse of the other side of the house. Remember the walls are only temporarily assembled, the stucco on the wall joins is missing and I am in the process of applying foundation stones. The upper area of the roof timbering is unfinished as beams that will be upstairs are going to come poking through that gable wall.

You can see some of the chunks of limestone I have been breaking down into smaller pieces for the dollhouse.

 In this photo you can see the dynamic patterning relationship of the timbers leading the eye around the structure. Repetition and variation of pattern is what it is called in the architecture design world. The shorter diagonals near the foundations were chosen as I saw in various books quite a few cottages in the Normandy and Brittany area that use that particular pattern of bracing. It is not something I have seen commonly used as a timber pattern in other countries or other areas of France.

Christmas Village Lighting

My client who commissioned the Santa's Workshop specifically wanted a place to display a 1:12 scale ceramic Christmas village that was created by "Sylvia Mobley". They really are special little houses and there are openings in the windows that allow the light to shine through. It is difficult to see that in this photo but this really is a lighted village.

Creating a mantel piece over the fireplace was straight forward but how to do the lighting to shine out the windows? I did not want wires strung along the top of mantel, that would have been clunky looking and the houses would not have sat flat and secure. So I came up with a different idea. First I decided on a location along the mantel for the various pieces my client had purchased. Then at those locations I drilled a hole through the wood of the mantel that was the same diameter as a "Cir-Kit Concepts candle socket".  I also cut grooves in the underside of the mantel to those holes to handle the wiring for the lights. The candle sockets were mounted so that the top of the socket was flush with the mantel in case anyone should ever decide not to have a Christmas Village up there. The bulbs are replaceable which is another nice feature.

Falling in love again

photo copyright Karin Corbin 2009

When I went into my files today looking for a photo I fell in love all over again with one of my own pieces. It is funny how that can happen. Often when I look at various photos I have taken I think "oh I wish I had done that differently or better" but now and again I feel "oh I got that just right". Well I got almost all of it just right, there is one small detail that bothers me a bit and I want to make that part over again but I can't so I have to accept it the way it is. This is the curse of being an artist.

The photo above is of the bay window on my Acorn Cottage house. The leading on the window is made from the adhesive back lead that is used for weighting putting irons for the sport of golf. It starts wide at the bottom and then tapers to being thinner at the top where it branches out. This window repeats the theme of the gothic arches of the trees which are the framework of the structure.

At first you might think looking into the window that somehow its shape is reflected in there but you are simply looking at and through the little window on the other side of the house by the front door. It too has the same  leading pattern in the shape of a tree. Looking into the dollhouse through this window you can clearly see the slight distortion from the hand poured glass I used.

The carving of the branches in the header over the window continues the line of the branches of the trees from the corners of the house. I like the flow of that and the leaves on the tips of the branches. I have always loved the shapes of leaves.  I don't recall planning that particular design detail to happen, I think it is one of those happy accidents that should have been in the plans. I never noticed that it had happened until just a few moments ago when writing up this description.

The natural boulders of real rock and the ground covering of natural moss and tiny bits of real branches and real fallen leaves all add to the feeling of the forest setting. The small vine on the base is a bit of wooly thyme. Watery thin acrylic paint tints the moss and the vine to keep them green forever. I have not taken the time to learn to make flowers from paper or fimo. The flowers in the pitcher on the sill are real dried flowers and they look perfect to me as they are perfect flowers.

Yes, sometimes our visions do become the reality we intended, this was one of those times and one of those photos where the magic did get captured.

If you come to the N.A.M.E (National Association of Miniature Enthusiast) convention in Seattle Washington USA in the summer of 2010 you can see this dolls house in person. The owner of the cottage will have it on display. It will be fun to see how she has chosen to decorate the interior. I will enjoy the chance to visit it and remember the fun and the struggles I had in creating it. Now and again I get to enjoy visiting some of the special real life houses I have owned and then recreated to my personal visions. The owners always have a great time talking about the magic of those places.

Blue Skies and progress

photo copyright Karin Corbin 2009

The sun came out today and it was grand sight to see shades of blue everywhere. The water, sky and even the earth were blue.  Fresh snow on the Olympic mountains provided the contrast of white. The breeze had the white capped waves dancing. Do enlarge the photo by clicking and join me on the beach. Bring hot chocolate with you to warm your hands and your insides, it is very chilly outside.

photo copyright Karin Corbin 2009

Welcome everyone come on into my new dollhouse. Pardon the mess and the duct tape, we are under construction. The carpenters took a holiday, they will soon come back to do some timber framing work. Then the plasterers will come and then the stone mason. The stone mason has yet to carve the stone sink that goes under the window on the left and to finish the fireplace. You have all heard the horror stories of trying to find reliable help in the construction trades.

photo copyright Karin Corbin 2009

Now you can finally see some progress on the dollhouse. Most of the windows are glued into the walls. I still have to cut the parts for a dormer and the roof.

photo copyright Karin Corbin 2009

I have always planned on adding a small shed roof extension. I thought at first it would be a shed roof on the outside to shelter tools and firewood. Then I decided it would hold a box bed for the inside of the house. It is called in France a lits-clos (bed closet). Some of them are free standing pieces of furniture. Mine will have a furniture type front facing the inside of the room. It is tucked in right next to where the fireplace will be, so warm and cozy snuggled in your little box for the night just like a kitten.

This shed roofed addition also helps with the overall look from the exterior and gives the interior more depth and adventure of exploration. An architect would have said it this way "breaking up the primary massing of the building".

It is a quirky cottage, the balance of the elements is informal rather than being symmetrical about a central point. But indeed there is balance and there will also be a lot of rhythm as you will see when it is all finished. One of the things that attracts me to timber framed houses is all of the rhythm of the framing members. It plays a little tune for your eyes and they simply must dance with a happy pace over all  the details of the dollhouse.

A long ways to go yet on this project but I am feeling good about things. Perhaps it won't end up in the trash bin after all.

Acorn Cottage Fireplace

Click on the photo for a closeup, use the back button to close the closeup

My what an ornate fireplace for such a humble, woodland cottage. Well that was not unusual in the Cottage Orne style as these were not humble real life dwellings, they were indeed fantasy pieces inspired by the romantic notion that the simple life was the good life. Creature comforts and luxury along with the arts were part of the fantasy.

This fireplace beneath its faux limestone finish is of humble origins, it is EPS blue insulation builders foam. I bet you would never have guessed that. I designed the fireplace on the computer and then carved it using burrs in a computer driven milling machine. It was cut as 5 pieces and then glued together. The stone block lines were detailed in by hand. The stone finish is acrylic paint, no stucco coating as that would hide the fine details in the foam.

I made the grate for the fireplace as well as the chandelier from various bits and pieces of brass and solder. The light bulbs in the chandelier were tinted a warm golden color with Krylon yellow, stained glass spray paint. Squirt a little into a cup and paint it onto the bulb with a brush. What a warm glow it gives the room and it takes away that harsh white glare of very bright miniature light bulbs. The fireplace bulbs were coated with the red and orange versions of the stained glass, spray paint.

The ceiling has a mural of a cloudy sky with just a hint of sunset pink glow to the edges of the clouds. I never would have thought I could paint a convincing sky but it is easy and someday I will show you how to do this.

The print on the wall is from "Les Tres Riches Heures" a devotional book of hours commissioned by the Duc du Berry. I felt the gothic arches in the print went nicely with the gothic detailing on the Acorn Cottage. Tall trees with arching branches in the forest inspiring the arches inside a cathedral all celebrating the glory of God was a common thought in the olden days. Of course my project is simply a cottage in the woods but maybe you will find it inspirational in some small way.

Acorn Cottage Interior

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The interior of the cottage was my fantasy for a music room where one could slip away for a quiet afternoon, a private concert or a cozy read by the fire and cup of tea.  Much of the furniture is by Bespaq and was chosen for its small size for a small space.

Acorn Cottage 1:12 Dollhouse

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The Acorn Cottage is a small one room dollhouse I built a few years ago. It is now owned by Sue Herber of Seattle, WA.  Sue Herber is the chairperson for the N.A.M.E 2010 national convention that will be held in Seattle, WA. Sue has told me she intends to display this piece at the convention. She will have it furnished with her own items and I am sure it will be  delighfull.

In the mid to late 1800's and early 1900's it was fashionable in Europe to build picturesque cottages on the estates of royalty and the wealthy. The style was sometimes referred to as Cottage Orne or Ornee.  My design was inspired by those small buildings. 

All of my original designs have been copyrighted. You may not  make copies of them, this includes the Acorn Cottage presented here.

Karin Corbin

COPYRIGHT
Unless otherwise attributed, all photographs, images, and writing on these pages are my exclusive property and are protected under United States and International copyright laws. You may not use the photographs, downloaded copies of my miniatures or written words, you can not reproduce them, copy them, store them or change/manipulate them in anyway without my expressed written permission.