That driftwood look

In the two photos above I have set the side wall of the house right next to the front wall of the house. You can see the before and after effects of aging the timbers. The floors of the house are also in the photo, they were not bleached as the wood was already light in tone but they did have a vinegar and iron solution brushed over the raw wood as the first step in aging.

 I have mentioned before that the coastal cottage project is intended to have a grey cast to it invoking the feel of driftwood on a beach. The old timbers on these old houses will always weather to grey if left unfinished but they may still have some brown undertones to them. That is the look I want. This is a small cottage and the timber framing is very busy, the overall monochromatic color scheme of the dolls house has a calming effect on the viewer that lets one focus better on details.

I told you about a two step process to recreate mother natures reality aging in my workshop laboratory. Mad scientist at work! So first step is the two part wood beach, it is a peroxide based oxygen bleach. I stop the bleaching action by brushing water onto the timbers. As I am using a water proof substrate and also waterproof glue no warping or other damage is done to the dollhouse from this process.

The second step is the application of a dilution of iron minerals in vinegar. This solution is easy to make, soak rusty objects in vinegar then strain it and store it in a plastic or glass bottle. Never store it in a metal container. Or you can shred steel wool pads into vinegar, let sit for a day or two and then strain that solution. Usually though I purchase the famous Thomas "Bug Juice". I know the strength of the solution is consistent and  my purchase helps support the two people in the miniature business who have taught me more than any other individuals, Noel and Pat Thomas. They used to write a series of articles for Nut Shell News, Dollhouse Miniatures and later Miniature Collector I have all those articles saved into a big notebook. It is a fountain of wisdom, artistic attitude and examples of building fine miniatures from scratch.

Old floorboards

photo copyright Karin Corbin 2009

There is some parallax in the photo above from my older digital camera that did not have correction for that. The boards are actually straight without curve to them.

I did say this was going to be an old, rustic, coastal cottage. I think a fisherman lives in it. Not sure if he has a wife.

What a worn and somewhat grungy floor. It takes at least 4 times more work to make this kind of floor than to make a pretty, nicely stained and laid floor with no wear and tear.

Every board had to be hand planed to make them look hand cut and also to make them uneven as if there were a little warping going on. I needed to create small gaps here and there between my nice straight boards. Then scratches were added and a few dings of course. There are the hand shaped trenails pegging the boards down.

The finish is done with many layers of stains, golden oak first then pickled oak and on the top layer I brushed in some dark walnut. It is done with a wet in wet glazing method. Then I rubbed down the floor with rottenstone which helps reduce gloss and adds an authentic ground in dirty look. Top with a final pickled oak wash.

If you ever need to put piles of dusty grey dirt into a miniature scene such as an old shed or basement just grab a box of rottenstone from the hardware store. No bugs or critters in it to worry about. Just good clean dirt, actually it is limestone that has turned into powder and surprisingly it is used to polish things.

That worn old floor started life as lovely Sitka Spruce planks meant to be used for the backs and tops of guitars. They were factory seconds that had been tossed in the firewood pile. I have quite a big stash of this wood, love it because the grain is so tight. In the photo below you see some of the floor board strips and also a plank below them that has not yet been cut. The floor board strips in the photo are just under 3/4" wide. If you enlarge the photo you can see the amazingly tight growth rings in the board, perfect for making miniatures.

photo copyright Karin Corbin 2009